New comp: Win flash writing courses and writing maps

It’s been a while since we had a one-off comp to win a place on our courses so here we are with a new one! We’ve also got some gorgeous Writing Maps as a prize too.

What can you win?

  • 1st Prize: A place on the group online Fantastic Flashing Course (3-16th June 2019)
  • 2nd Prize: The start anytime work alone online Fantastic Flashing Course
  • 3rd Prize: 2 Writing Maps – The Description Writing Map and The Voice and Point of View Writing Map
  • All winning stories get published on the website.

 

Who chooses the winner?

Amanda Saint – novelist, short fiction writer, creative writing tutor and publisher at Retreat West.

How do you win?

You write something of course! Send us your flash stories from the prompt.

What is the prompt?

This picture:

 

 

 

 

 

 

 

 

 

What’s the word limit?

Max 300 words. No minimum.

What’s the deadline?

23.59 on 28th April 2019

What’s the entry fee?

£6

How do you enter?

Through Submittable using this button:

Enter the comp

 

We look forward to reading your submissions!

 

Winners of the Page Turner Course

After a lot of reading and re-reading of her shortlisted entries, Rose has chosen the winners of the How To Write a Page Turner course. The two first place winners get the course with feedback option and the two runners-up get the no feedback version, which is exactly the same course content but, you guessed it, doesn’t get the feedback from Rose at the end!

Congratulations to our winners and all of the writers that made the shortlist too, which you can see here. The challenge was to write a novel opening up to 200 words from the sentence starter ‘I read it in a book…’

 

Winner: The Names of Rivers by Julia Robinson

Rose saidThis story is beautifully atmospheric, both the setting and characters become real and captivating through the sensual descriptions. The reader is also instantly immersed in the mystery and the promise of a deeply intriguing tale.

I read it in a book, the origin of Mary’s new name, ‘Rivers’. Mary Harlow had recently married Jack Popa Rivers, a blues guitarist and old white dog, first brought to New Orleans on board a merchant ship. Born in Liverpool, England, he had visited every port in the world.

We were on Mary’s houseboat, the Mississippi stretched before us, long and coiled, like a jewelled serpent. Mary’s red hair was tousled about her shoulders, her mouth curved in a close-lip smile. She was trying to avoid my gaze.

“It’s derived from the same Latin root as rival. Rivers have always been contested and fought over, in the same way as territory. And there are so many other meanings attached to rivers. Up the river – sent to prison. Down the river – betrayed,” I said.

Mary sucked in the air and turned her head to look me right in the eyes.

“And what is the origin of your name Lucy Pearl?”

I reflected. Jack Popa once told me that a Pearl is a thing of beauty. I licked my lips, tasting the salty tang of the river.

“A Pearl is opaque and hides its meaning under smooth, iridescent skin,” I said.

 

Winner: Duplicity by Jac Harmon

Rose saidThis story was chosen as a winning entry because the tension in it crackled like the fluorescent strip lighting in the police interview room where it is set. The imagery used is striking and memorable, haunting. The final reveal is an intriguing twist and makes you want to turn the page.

I read it in a book …’ I shape the words with care.

He cuts in.

‘And you remember it exactly?’

Given who he’s talking to it’s an unnecessary question. I shrug.

He lounges back in his chair, tapping at his teeth with a biro. It makes me squirm and he knows it. I close my eyes. The lighting is harsh for such a small room. Fluorescent tubes pulse above and I think of the jellyfish in the seafront aquarium. Thin, utilitarian jellyfish. My head aches. I breathe slowly. In. Out. He’s waiting for me to fill the silence. I don’t. It’s an old tactic.

‘So …’

I open my eyes. He’s leaning forward on sharp elbows. One foot taps beneath the table.

‘You read it in a book.’

Statement not question. Another slow breath. In. Out.

‘As I said, it was written in the margin.’

‘On page 96?’

I don’t respond. He knows the answer. In my mind I see the words again, scratched deep into the yellowing paper. A black waterfall of ill-formed, skeletal letters written with the sharp nib of a cheap fountain pen.

The Detective Inspector raises an eyebrow. Our mother would be proud of him.

 

Runner-up: The Truth and the Lies by Lucinda Hart

Rose said: This story opening punches from the first to the last moment with a great hook and a final reveal that makes you want to know more about the narrator and their dark secret.

I read it in a book. The lie.

One of those gruesome-tales-about-your-county books that somehow my hand was drawn to, spinning on the carousel in the bookshop. It was only time before someone wrote about Rosie Barnes. Her bloodied and naked body abandoned in the woodland beside the main road fifteen years ago. How her boyfriend was found with blood on his clothes and a motive in his heart. How he shouted his innocence in Court, and then wept that same innocence as they took him down.

He didn’t last long inside. Killed in an incident, they said. But I think he took his own life, escaped to join his Rosie wherever she’d gone. To follow her.

And now the story, the legend, is printed in a slim volume for sale in my local town. Where people remember.

They remember what they heard at the time, but they do not know the truth. They do not know that what’s in the book is lies.

They do not know that when Rosie Barnes’ boyfriend cried his innocence, in his bloody shirt, that he was telling the truth.

How do I know this? you ask.

Because he didn’t kill her.

I did.

 

Runner-up: The Book of Future Past by Stephanie Percival

Rose saidThe concept of this story is arresting and creepy and as a reader I am instantly drawn to the main character and concerned about the peril she faces. I want to read on!

I read it in a book. Not one of the hundreds which surround me in the bookshop, but the one in my back pack, weighing it down. I came here because it usually calms me. Not today.

I race upstairs to the café taking the steps two at a time, my feet in Doc Martens clumsy on the treads, so I nearly collide with a man descending, who swears at me. I need coffee and then perhaps I can open the book, consider the words again.

A mug of black coffee in front of me, and mumbling conversation around me, I take the book out. A musty smell leaks out with it. The book feels old; it has a leathery green cover. Ordinarily, I’d never select a book like this.

On the title page is an inscription, written in brown ink. Fading and blurred, as if written long ago. It reads:

Celina Delaney April 1st 1999 – Sept 17th 2018

My mouth is dry, my fingers clammy, because I am Celina Delaney. Nineteen years old, and my birth date is All Fool’s Day. Tomorrow is the seventeenth of September 2018.

More disturbing are the 3 letters which follow.

…R.I.P…

 

Win a How To Write a Page Turner Course

Win a How To Write a Page Turner Course

We love comps that get you writing more! Our latest one is to win our new online course from Rose McGinty – How To Write a Page Turner. Something we all need to know! There are four prizes up for grabs.

The course will teach you about injecting urgency into your stories to keep your readers hooked, as well as how to create great characters, unforgettable dialogue and play with time to up the suspense. What you learn can be used to develop your short stories and novels.

So what do you have to do to win? Write a novel opening from the prompt…

Competition Prompt

Write a 200 word novel opening starting with this sentence: I read it in a book…

1st Prize (two available)

A 6-week online How To Write a Page Turner course with feedback from Rose on the story you create.

2nd Prize (two available)

A 6-week online How To Write a Page Turner course without feedback.

Entry Fee: £5

Deadline: 17th September 2018


submit

Competition Rules

  • Submit novel openings written in English through Submittable using the button below by 23.59 GMT on the deadline date (sorry late entries will not be included).
  • Do not include your name on the document or submission title but provide a short bio in the body of the email. All entries are read anonymously so any submissions showing the author’s name will be automatically disqualified.
  • Your story must not exceed 200 words. Entries that exceed the word count will be automatically disqualified.
  • The story must be based on the prompt and not have been published online or in print, or have won any other competitions.
  • Stories can be in any genre apart from children’s fiction and erotica. YA is allowed.
  • You can enter as many times as you like but all entries must be made separately and the entry fee paid each time.
  • The judge’s decision is final and no correspondence will be entered into.
  • There are no alternative prizes.
  • Winners will be announced in October 2018.

Win a place on September 2018 Fantastic Flashing online course

Flash Fiction Competition

We love comps at Retreat West and we love flash fiction! So our latest competition is to win a place on the September 2018 Fantastic Flashing online course. Designed and taught by me, it’ll get you creating oodles of new work, reading lots of flashes to learn about different styles, and I’ll give you feedback on a story at the end. Get more info on the course here.

To win a place on the course you have to write a flash story based on the prompt below and send by the deadline. Submit stories through Submittable using the button below.

Two writers will be chosen and they’ll both get a place on the course. Two second place writers will get a half price place on the course.

 

Competition Prompt

Write a list of things that begin with the letter F and then pick three of them to build a story around. Make sure you include your three F words in the story. As inspiration read my prize-winning flash story, Stained Red, which was built around a list of red things.

1st Prize (two available)

A place on the September Fantastic Flashing course.

2nd Prize (two available)

A 50% discount on the September 2018 Fantastic Flashing course (so course costs  just £87.50)

All writers that enter will also receive a free ebook edition of the What Was Left anthology of winning stories from the 2016 RW Short Story and RW Flash Fiction Prizes and a £20 discount if they book on the September course (Retreat West Author Members will get the £20 discount on top of their already discounted course fee).

Entry Fee: £5

Deadline: 15th July 2018


submit

 

Competition Rules

  • Submit stories written in English through Submittable using the button below by 23.59 GMT on the deadline date (sorry late entries will not be included).
  • Do not include your name on the document or submission title but provide a short bio in the body of the email. All entries are read anonymously so any submissions showing the author’s name will be automatically disqualified.
  • Your story must not exceed 200 words. Entries that exceed the word count will be automatically disqualified.
  • The story must be based on the prompt and not have been published online or in print, or have won any other competitions.
  • By entering the competition you agree to take part in the September 2018 Fantastic Flashing online course if you win a free or discounted place.
  • Stories can be in any genre apart from children’s fiction and erotica. YA is allowed.
  • You can enter as many times as you like but all entries must be made separately and the entry fee paid each time.
  • The judge’s decision is final.
  • There are no alternative prizes.
  • Winners will be announced by the end of July 2018.

Creating complex characters: Bo in Exquisite

Creating complex characters: Bo in Exquisite

This A-Z of characters blog series is looking at memorable narrators in novels and what has made them stick in my mind. It’s all based on the three Cs of character that I teach in our online courses and at various events and writing festivals. The novel characters that people never forget are complex, contradictory and consistent, just like real people.

In the first of these blogs I looked at Adam in The Imposter from Damon Galgut. Today’s complex character is Bo in Exquisite by Sarah Stovell, who visited the blog to chat to Sophie a while ago about this novel and her writing. Read the interview here.

So who is Bo?

Bo is a novelist, living the dream writer’s life in her beautiful Lake District home with multiple bestsellers in her backlist. She’s got a lovely family and a happy marriage. Bo shares the narration of this beautifully written and compelling novel with Alice, an aspiring writer that she meets when teaching at a writing retreat. The two women instantly feel a connection and an intense relationship quickly develops, with Bo playing the part of the older, wiser mentor who sees traces of her younger self in Alice.

What makes Bo such a complex character?

It’s the different sides of her personality that contradict each other; and that she’s so difficult to suss out. Is she nice or is she nasty? I’m not going to reveal the answer to that but instead look at her character traits.

On the one hand she is caring, nurturing, supportive and on the other she is manipulative, dishonest and ruthless. She’s a great mother to her children and a popular member of her local community. She’s playing games with people’s emotions and twisting the truth to suit her own ends. She’s altruistic and donates to charity. Like the image above, different elements of of her personality were reflected on the surface but at the same time all the other sides of her were still there behind that reflection.

It was really hard to tell who the real Bo is. And this is true of humans in general. We never know what’s going on in other people’s minds and they often do and say things that are in direct contradiction to beliefs they have previously professed to hold. But at the same time they are usually consistent in how they go about things.

As writers it’s our job to decide what goes on in people’s minds, to share that with readers and show how that makes them act the way they do. One of the things I’ve learned through reading and writing a lot of fiction is that it’s the contradictions and the moments of inconsistency that make novel narrators stand out, make them memorable.

Which literary characters have you never forgotten and why? Let us know in the comments below and we’ll pick someone at random to win a free place on our online course, the Creating Complex Characters masterclass, in which I look at the using the three Cs in detail to write your own memorable characters. The winner will be picked on 27th June 2018.

Writing exercise:

Write a list of 3 positive character traits and 3 negative ones. Then create a new character for a short story that embodies them. Think about why they have these traits and how they manifest in their behaviour.

 

Up next in the A-Z of complex characters is Cassie in As Far As You Can Go by Lesley Glaister…

Competition: Win a place on the 8 Month Novel Course

We love a comp at Retreat West! The latest is to win a place on the online 8 Month Novel course starting in January 2017. Deadline for entries is 20th November 2016.

It’s a mix of creative writing course through exercises and readings and 1-1 mentoring from Amanda Saint, and by the end you’ll have a short first draft to go away and work with, along with an editorial report to help you develop it. The course is for a maximum of 5 writers to work together at a time and there’s an online forum space where you can chat and share your work with each other. You can get the full info on it here.

You can win one of the places on the course by entering the competition – all you need to do is pay the competition entry fee and submit up to 500 words pitching you and your story idea and why you’d like to do the course. Full T&Cs below.

A winner will be chosen from all entries received by the closing date and will get to join the online, collaborative course in January.

Last time 2 writers won a place – Poppy Peacock and Jacqui Stearn – and they start their course next week. Although the competition is just for one of the places on the course, I found it impossible to choose between them so you never know, this could happen again for the January course too!

Competition T&Cs

  • You can enter as many times as you like with different novel ideas but must submit them separately and pay the competition entry fee of £15 each time
  • All entries must be written in English and received by 23.59 on 20th November 2016
  • The prize is a free place on the online 8 Month Novel Course starting 27th January 2017 and it is not transferable and there is no cash alternative
  • By entering the competition you agree to take part in the course if you win and to having your details announced on the website and in the newsletter
  • Enter using the button below

submit