After Themed Flash Shortlist

It’s shortlist time! Well done again to all who made the longlist and congratulatiuons to the writers of our shortlisted stories. They have now gone to judge, Shaun Levin, to make the final decision.

LONGLISTED STORIES

  • Anywhere That Isn’t Back to What We Left Behind
  • Onset-winter Proposal That Ends in a Happy Acceptance
  • Scheele’s Green
  • Spanners
  • There Was an Old Lady Who Swallowed a Horse Pill
  • Things The Fortune Teller Didn’t Tell You When She Read Your Future
  • Usages
  • Views of Mount Fuji
  • When Our Tie Turns
  • When The After Came to Stay

We’ll be back with the results soon. In the meantime, get writing for the first themed flash comp of 2022! It’s a March deadline and you can see the theme and the judge here.

2021 Retreat West Prize Results

Many thank to our judges, Kirsty Logan, Michelle Elvy and Tim Craig, who had to make the final choices between the 10 shortlisted stories in each category. Our reading team are glad they can hand over this final decision!

All 30 stories are excellent and will be published together in the anthology later this year. We can’t wait to bring them all to you.

2021 Short Story Prize Results

Shortlist

  • A Trip to the Island, One Last Time by Catherine Ogston
  • An Open Garden by James Mason
  • Grit by Jess Moody
  • Self-archaeology by Juana Riepenhausen
  • Stuck for Words by Iqbal Hussain
  • The Jellyfish at the Traffic Lights by Susan Swan
  • The Leonids by Paul Jackson
  • The Lighthouse Keeper’s Wife by Helen Chambers
  • The Visitor by Emma Naismith
  • Yet Another ‘Missing Children’ Poster Adorns the Lampposts of a North-East Fishing Village by Kathy Hoyle

Judge’s Comment: It was a joy to read all the shortlisted stories. I loved the strong, vivid visuals and building sense of dread in ‘Stuck For Words’;  the desperate melancholy and unusual use of time in ‘An Open Garden’; the steady build and new take on urban fantasy in ‘Grit’; the fast pace and emotional complexity of ‘Self-archaeology; the readability and retro Twilight Zone feel of ‘The Leonids’; the vivid world-building and a killer last line of ‘The Lighthouse Keeper’s Wife’; and the unusual use of a child’s point-of-view and the strong sensory detail (particularly sound) in ‘Yet Another Missing Children Poster’.

First Prize Winner: The Jellyfish at the Traffic Lights by Susan Swan

Kirsty said: I loved this quiet apocalypse, with its sense of forbearance and inevitability mixed with wonder and hope.


Second Prize Winner: The Visitor by Emma Naismith

Kirsty said: This is effective and clever storytelling; I appreciated the rising tension, strong characters, and beautiful mix of fantastical and mundane worlds.


Third Prize Winner: A Trip to the Island, One Last Time by Catherine Ogston

Kirsty said: This was a delight and a surprise, mixing a growing sense of mystery with wry humour.


2021 Flash Fiction Prize Results

Shortlist

  • A Cast of Crabs by Bernadette Stott
  • Button Bus by Chris Cottom
  • Deep Secrets by Brendan Praniewicz
  • Hands by Gillian Brown
  • Paper by Elle Symonds
  • The Buttero by Christopher Santantasio
  • The Five Stages of Grief by Anita Goodfellow
  • The Turning Point by Richard Hooton
  • The Weathering by Martha Lane
  • What My Therapist Calls Grounding To Calm My Triggered Body by Rosaleen Lynch

Judge’s comment: A diverse batch of small stories, each one unique in the way it goes about telling a story. As I was reading, I was glad to see the way writers played with form and voice, the way they used one idea to create a framework for telling a more subtle story. Such skill makes judging a competition very difficult, for there is something commendable about every one of these flash fictions.

Each of them had something that I kept coming back to, and the decision-making took time. There were more than three contenders for the top places, as I was pulled in by imagery, language and suspense. These are all big stories, dealing with grief and dreams, dramas large and small, relationships that are teetering or possibly mending. There was real mystery between the lines, and also good humour – which we can all use these days!

Thank you to all the writers for sharing your stories – it was a pleasure to read them and to keep coming back to their hidden treasures over these recent weeks.

First Prize Winner: Button Bus by Chris Cottom

Michelle said: A surprising story in all the best ways! ‘Button Bus’ is inventive and clever. It’s also well written – not a word out of place. The writer’s careful attention to detail makes it a stand-out piece of writing. It may seem, at first, to be a fun story – something nice, yes. Perhaps even cute. But it’s more than that. The characters are real on the page: we learn some of their background without being told too much; we see character development as the story evolves. The mood develops and shifts with each ride – there is even suspense as we start to wonder what will happen each time the old woman boards the bus. The narrative voice is steady and the writing is confident, moving between longer descriptions (that coral reef of buttons!) and dialogue that keeps the pace moving along: ‘My life savings,’ she says. ‘I’m off on my holidays.’ / ‘Lovely jubbly. Where’re you going?’ In the end, this is a story with heart – ultimately about the connection between two strangers, and these small but essential moments of intersection. And in the case of flash fiction, this is precisely what works: here we have a whole world in a small space.


Second Prize Winner: The Weathering by Martha Lane

Michelle said: A story that begins with a startling first line and continues to pull the reader through, each paragraph building suspense and worry and curiosity. Besides the overall conceit, the language and imagery are memorable: smiles that are ‘Picasso awkward’, laughter that is ‘Scooby-Doo nervous’. The pacing is taut but flowing; there is an urgency and a fluidity, like rushing water. We also can’t escape an increasing feeling of dread, and even if the story is imaginative and fantastical, there is a relatable reality of the unwanted guest (real and/ or metaphorical). Here we witness the sea, a forced intimacy and a power that is unstoppable. And after all, we are left with the lingering sense of Nature: indifferent to human response, always true to itself.


Third Prize Winner: A Cast of Crabs by Bernadette Stott

Michelle said: This story carries a strong voice from beginning to end. It’s an observational story: the first-person narrator watching action and movement that occurs in her close proximity. The writer balances a kind of distance (observing what’s happening just down the pier) with an intimacy that allows the reader to see into her life. In this small space we come to know the imperfections of human life: the struggle, the desire, the push and pull of winning and losing, the very idea that each day rolls in and out with the sea. There is a jaunty feel at times, layered underneath with a more ominous reality. The writing is a controlled clipped pace, but there is something lurking, more slow-moving under the surface. All this made me want to read this small scene again and again.


2021 Micro Fiction Prize Results

Shortlist

  • America by Sherri Turner
  • Body of Christ by Moira McGrath
  • Cornfields by Diane D. Gillette
  • I Am Sailing Very Far Away by S.A. Greene
  • It’s a Beautiful Day for a Picnic But You’re Not Invited by Laurie Marshall
  • No Rain by Di Spence
  • Robert by Kevin Sandefur
  • Scratch Art for Grown-Ups by Sally Curtis
  • Tom’s Toy Gun by Connie Boland
  • You Said You’d Always Wait For Me by Kate Simblet

Judge’s comment: If your micro made it to the shortlist, then you should congratulate yourself on its excellence. The standard was very high, which made it a genuinely difficult decision to select the top three. In the end the pieces that rose to the top were those which left some questions unanswered, some threads loose. Because life is messy and people are messy, I think we are drawn to stories which to some degree reflect that. I might add that the winners were probably not those I might have picked had the only judging criteria been ‘gorgeous’ or ‘sumptuous’ writing. But they are the ones which I felt landed the arrow closest to the bullseye of what it means to be human — something we all aim for as writers and look for as readers.

First Prize Winner: Scratch Art for Grown-Ups by Sally Curtis

Tim said: I was grabbed straight away by the title: the rhythm and music of it, the intrigue, and a whiff of humour too. All of which are carried through into the meat of the story itself. The idea of using scratch art as a basis for a micro feels very original, is wonderfully visual, and works well as a metaphor for the form itself. After all, scratching off the surface layer in pursuit of the multi-coloured meanings below is exactly what we do as readers. But what I particularly like about this piece – what makes it the clear winner for me – is how it resonates after reading. How, rather than providing easy answers, it sparks off a whole spectrum of further questions. Helping me — the reader — create my own pictures.

Second Prize Winner: America by Sherri Turner

Tim said: The simplicity of this micro is deceptive. There is so much more going on below the surface of the narrative. The drum beat of the repeated title word ‘America’ – six times in total — alerts us to the fact something is amiss; clearly, the word stands for so much more than just the name of the place in the narrator’s life, a hint of which – and only a hint – we get right at the end of the story. The breezy, optimistic tone also stands in powerful contrast to what is gradually revealed to us. We are left with a strong sense of the story continuing long after its ending.

Third Prize Winner: Body of Christ by Moira McGrath

Tim said: Although the dark, central theme in this micro is a familiar one, it is handled very deftly by the writer. The parallels drawn between the two ‘old fashioned ways’, directly linking ritual prayer and abuse, are the crux (pun intended) of this piece; the behaviour of the priest is not — we are given to believe — exceptional, but entirely orthodox. In the way of all the best endings, the last line of this micro is both a surprise and yet entirely suited to what precedes it.


HUGE congratulations to our winners and all of the shortlisted writers.

We’ve just launched the 2022 Prize and you can see all the info on judges and the deadline here.

2021 Novelette-in-Flash Prize Shortlist

We’ve read the longlisted novelettes over and over and although every single one of them has much to recommend, we have whittled them down to a shortlist of six. Well done to everyone who made the longlist and congratulations to the writers of the following novelettes.

SHORTLISTED NOVELETTES-IN-FLASH

  • A Good Match
  • Ceiling
  • Homeless Camping Jump
  • Little Bird and Wolf
  • Monsieur
  • The Girl Who Survived

It’s now over to our judge, Mary-Jane Holmes, to choose the three winners who will be published in the anthology later in the year and win the cash prizes. Good luck everyone!

We’ll be running this contest again this year and will publish the new deadline when the winners from 2021 are announced.

After Themed Flash Competition Longlist

Many thanks to all who sent in their AFTER themed stories for our final themed flash comp of 2021. There have been some great takes on the theme and we’re delighted to announce our longlisted titles. Congrats to the writers of the following – no telling which is yours though!

Longlisted Stories

  • After
  • After the Trouble at the Toll Bridge
  • Anywhere That Isn’t Back to What We Left Behind
  • Email from HR
  • Even Out the Ends
  • Growing Up
  • Intermezzo
  • Mayday, Mayday!
  • Onset-winter Proposal That Ends in a Happy Acceptance
  • Scheele’s Green
  • Spanners
  • There Was an Old Lady Who Swallowed a Horse Pill
  • Things The Fortune Teller Didn’t Tell You When She Read Your Future
  • Usages
  • Views of Mount Fuji
  • Watching the Hourglass: when sand is too precious to lose
  • When Our Tie Turns
  • When The After Came to Stay
  • Who Shall I Say Is Calling?
  • Yusef the Younger

We’ll be back with the shortlist soon. In the meantime, get writing for the first themed flash comp of 2022! It’s a March deadline and you can see the theme and the judge here.

January 22 Monthly Micro Winners

Congratulations again to the writers of our 10 shortlisted stories. We have had a wild ride in the People’s Prize voting this month with several stories moving in and out of the top spot in the early part of the week. Then a couple of stories started edging out in front and then those two constantly swapped places for the winning spot. The winner won by just 2 votes in the end!

Our judging team has gone against the grain this month and for the first time in ages, we haven’t picked the same story as the voters. But we really enjoyed them all and it’s always a tough decision to make.

Anyway, here are the results!


First Prize Winner: The Anatomist’s Bride by Anne Soilleux

Why we chose it: Fantastic dark and creepy take on the theme that uses all the senses and has a great narrative voice. That final line is so ominous and gave us all the shivers.


Second Prize Winner: Treading on Memory in the Bottles’ Graveyard by Brid McGinley

Why we chose it: Love how evocative it is and how well it captures the way memories work in such beautiful language that transported us to this beach.


People’s Prize Winner: Grandpa’s Legacy by Kathryn Clark


Shortlisted Stories

Bottled Up by Donna L. Greenwood – Read it here

Formula by Susan Wigmore – Read it here

Grace by Stephen Gallagher – Read it here

Manningtree, Essex 1645 by Clare Marsh – Read it here

One Bluebottle on a Windowsill by Rachel Canwell – Read it here

Open Day At The Bottle Factory – David Shows His Daughter The Place Where He Is God by Alison Wassell – Read it here

Returning to Aleppo by Taria Karillion – Read it here


Anne and Brid win the cash prizes and Kathryn wins a year’s membership to our online community!

Well done to everyone!

We’ll be back with the next Monthly Micro prompt on 7th Feb.

THE ANATOMIST’S BRIDE

Anne Soilleux

I am the fifth girl they have sent. The doctor cannot keep his servants. Or his wife, if the rumours are true.

Entry to his laboratory is forbidden, but as with Eve, my sin is curiosity. Locks, like pockets, are easily picked.

The stench of formalin. Strange instruments sharpened by lamplight, a workbench scrubbed bone-white, shelves of fat-bellied jars in shadow. I look closer and almost drop my lantern. A floating hand wears a gristle bracelet. Ink spill hair fanning out around a head. Lungs, liver, the plump pillow of a womb. Everything except a heart.

One jar stands empty.


This story won First Prize in the January 2022 Monthly Micro Competition.

About the author: Anne Soilleux lives in Berkshire, where she writes very short fiction when she’s not working.